SELECTED Bibliography
BOOKS
Benthien, Claudia, Jordis Lau, Maraike M. Marxsen, The Literariness of Media Art, 133-136, 272. New York: Routledge, 2018.
Tambellini, Aldo, Listen: Selected Poems of Aldo Tambellini 1946-2016. Hollywood: Grady Miller Books, 2017
Blom, Ina, The Autobiography of Video: The Life and Times of a Memory Technology, 7, 32, 53, 55. London: Sternberg Press, 2016.
Yamamura, Midori. Yayoi Kusama: Inventing the Singular, 7, 128, 134, 135, 139, 141, 142, 143, 150, 153, 154, 160, 165, 167, 175, 194, 220, 221, 222, 223, 225, 226, 227, 232, 233, 237. Cambridge, MA: The MIT Press, 2015.
Julia Noordegraaf, Julia, Cosetta G. Saba, Barbara Le Maître, and Vinzenz Hediger, editors. Preserving and Exhibiting Media Art: Challenges and Perspectives, 90, 137, 207. Amsterdam: Amsterdam University Press, 2013.
Tontongi and Jill Netchinsky, editors. Liberation Poetry: An Anthology, 239-251. Cambridge, MA: Trilingual Press, 2011.
Bauer, Ute Meta. “Black Gate Cologne.” In OEI #53-54: Dokument, Dispositiv, Deskription, Diskurs. Stockholm: OEI, 2011.
Liberation Poetry Collective, eds. Poets Against the Killing Fields, 68-88. Cambridge, MA: Trilingual Press, 2007.
Patterson, Clayton, ed. Captured: A Film & Video History of the Lower East Side, 41-56. New York: Seven Stories Press, 2005.
“Black Gate Cologne,” Frieling, Rudolf, and Wulf Herzogenrath, editors. 40 Years Videoart.de: Digital Heritage: Video Art in Germany from 1963 to the Present, 98-103. Ostfildern, Germany: Hatje Cantz, 2006
Vogel, Amos. Film as a Subversive Art, 113. London: CT Editions, 2005.
Kacunko, Slavko, Closed Circuit: Videoinstallationen, 146, 343, 380, 385-388, 503, 523, 567, 577, 641, 923, 925, 975, 997, 1107. Berlin: Logos Verlag, 2005.
Shaw, Jeffrey, and Peter Weibel, editors. Future Cinema: The Cinematic Imaginary After Film, 113. Cambridge, MA: The MIT Press, 2003.
Tambellini, Aldo, “City of Poets”, in 18 Boston Voices, Don DiVecchio, Richard Wilhelm and Doug Holder, editors. 93-98, 105, back cover. Somerville, MA: Singing Bone Press, 2000.
Walther, Ingo F., editor. ART of the 20th Century, 592. Cologne: TASCHEN, 2000.
Bonet, Eugeni. Desmontaje: Film, Video / Apropiación, Reciclaje, Demontage, 8, 30. Valencia: IVAM, 1993
Vasulka, Woody. “Aldo Tambellini: Black Spiral (TV Sculpture), 1969,” in Eigenwelt der Apparate-Welt: Pioneers of Electronic Art, David Dunn editor, 13, 91, 110-111. Linz, Austria: Ars Electronica, 1992
Deutscher Künstlerbund 36. Jahreasausstellung 1988, 26, 57, 172-173, 180. Berlin: Deutscher Künstlerbund, 1988,
Zannini, Walter. “17th Bienal de São Paulo” in World Art Trends 1983-84, Jean-Louis Pradel, ed., 130. New York: Harry N, Abrams, 1984
Gruber, Bettina und Maria Vedder. Kunst und Video. Internationale Entwicklung und Künstler, 67, 198-199. Köln: DuMont Verlag, 1983.
Herzogenrath, Wulf, editor. Videokunst in Deutschland 1963-1982. Videobander, Installationen, Objekte, Performances, 15, 134-135, 246, 306. Stuttgart: Verlag Gerd Hatje, 1982.
Bonet, Eugeni, et al. En torno al video, 241-249. Barcelona: Editorial Gustavo Gili, 1980.
Davis, Douglas and Allison Simmons, editors. The New Television: Based on an International Conference on the Future of Television, 145, 147, 281-282. Cambridge, MA: The MIT Press, 1977.
Davis, Douglas. Art and the Future, 84-85, 89. New York: Praeger Publishers, 1973.
Anderson, Chuck. The Electric Journalist: An Introduction to Video, 95. New York, Praeger Publishers, 1973.
Mekas, Jonas. Movie Journal: The Rise of a New American Cinema, 1959-1971, 215, 217, 247, 250. New York: Collier Books, 1972.
Kultermann, Udo. Art and Life, 58, 101,104, 132. New York: Praeger Publishers, 1971.
Youngblood, Gene. “Aldo Tambellini: Black TV,” in Expanded Cinema, 308-314. New York: 1970.
Popper, Frank. Origins and Development of Kinetic Art, 199-200. Greenwich, CT: New York Graphic Society, 1968.
Snyder, Don. Don Snyder’s World of Photography, 86-91. Greenwich, CT: Whitestone Publications, 1967.
Bronsteen, Ruth. The Hippy's Handbook, 22, 32. New York: Canyon Book Company, 1967.
Gruen, John. The New Bohemia: The Combine Generation, 39, 110. New York: Grosset & Dunlap, 1967.
CATALOGUES
“Aldo Tambellini” in Writing the History of the Future: Signature Works of the Singular ZKM Media Art Collection, Jun, Seungbo, editor, 38-45. Gwangju, Korea: Gwangju Museum of Art, 2022.
Goldring, Elizabeth and Ellen Sebring, editors. Centerbook: Center for Advanced Visual Studies, 73, 94, 99 138, 139, 145, 185, 188-189, 192, 210, 233, 235, 284, 327, 349. Cambridge, MA: SA+P Press, 2019.
Rachleff, Melissa. Inventing Downtown: Artist-Run Galleries in New York City, 1952-1965, 4-5, 14-15, 29, 177-183, 276-278. New York: DelMonico Books/Prestel, 2017.
Wronoski, John, editor. Aldo Tambellini: Black Zero. New York: Boris Lurie Art Foundation, 2011.
Retrospective: Aldo Tambellini – Electromedia,” in Mash-Up: European Media Art Festival, 102-119. Osnabrück, Germany: European Media Art Festival, 2011.
Moore, Barbara. Action Theatre : The Happenings of Ken Dewey. New York: Franklin Furnace Archive, 1987. (Tambellini in Section under September 16, 1972.)
Institute of Contemporary Art, Boston. Boston Now. 3-4. Vol. 2. Boston: Institute of Contemporary Art, 1983.
17ª Bienal de São Paulo, 14 de outubro a 18 de dezembro de 1983: Catálogo Geral, 131, 140-142.
ARS ELECTRONICA 1982: im Rahmen des Internationalen Brucknerfestes Linz Festival für Kunst, Technologie und Gesellschaft, 113, 143. Linz, Austria: Linzer Veranstaltungsgesellschaft mbH, 1982.
Berkowitz, Terry. Alternating currents, June 15-July 6, 1985: Alternative Museum, New York City, 2, 7. New York: Alternative Museum, 1985.
Firpo, Patrick, Lester Alexander, and Claudia Katayanagi. Copy Art: The first complete guide to the copy machine, 42, 105. New York: Richard Marek Publishers, 1978.
Vision and Television: An Exhibition of the Poses Institute of Fine Arts January 21st - February 22, 1970, Rose Art Museum Brandeis University Waltham, Mass. Waltham, MA: The Rose Art Museum of Brandeis University, 1970.
Grove Press Film Catalog, 60-61. New York: Grove Press, 1970
TV as a Creative Medium. New York: Howard Wise Gallery, 1969.
Kochenrath, H.P. “Weg Zum Nachbarn” in Westdeuth Kurzfilmtag, 19-20. Oberhausen, DE: 1969.
23rd Edinburgh International Film Festival, 74. Edingurgh, Scotland: 1969.
PERIODICALS
Szczepaniak-Gillece, J. “Technologies of Blackness: Aldo Tambellini, Psychedelia, Widescreen, Media.” Cultural Critique, 112, no. 1 (Summer 2021): 59–92.
Holling, Hanna. “Matter Minding, or What the Work Wants: Aldo Tambellini Intermedia.” Afterall, 52 (Fall Winter 2021-2022): 106-119.
Barrington, Matthew. “Black Is… Unpacking Aldo Tambellini’s Radical Blackness.” Afterall, 52 (Fall Winter 2021-2022): 120-133.
Millner-Larsen, Nadja. "The Subject of Black: Abstraction and the Politics of Race in the Expanded Cinema Environment." Grey Room, 67 (Spring 2017): 64-99
Streitfeld, Lisa. “(R)evolution in Art & Physics: The All-Round Genius of Aldo Tambellini,” Huffington Post, Dec 1, 2010 (Updated Dec 6, 2017).
Hafner, Hans-Jurgen. “Aldo Tambellini.” Frieze, July 6, 2017.
Cotter, Holland. “When Artists Ran the Show: ‘Inventing Downtown,’ at N.Y.U.” New York Times, January 12, 2017.
Schwendener, Martha. “Aldo Tambellini’s ‘Atlantic in Brooklyn’ Chronicles a Grittier Time,” New York Times, October 15, 2015.
Bauer Meta, Ute. “Dark Matter: The Cosmic World of Aldo Tambellini.” Mousse Magazine, 49 (Summer 2015).
Maliszewski, Lynn. “Aldo Tambellini Videograms.” Osmos Magazine, (Winter 2014).
Lev, Naomi. “Aldo Tambellini.” Art in America, December 31, 2013.
Ribas, João. “After Effects: Art and Technology, Then and Now.” Mousse Magazine, 40 (October-November 2013).
Rivers, Tina. “Aldo Tambellini.” Artforum, September, 2013.
Blom, Ina. “Social Signals: Aldo Tambellini at Tate Modern.” Artforum, January 2013.
Brody, David. “Spooky and Luscious: Aldo Tambellini at James Cohan.” Artcritical, October 16, 2013.
Velasco, David. “Stuart Comer and Catherine Wood Talk About the Tate Tanks.” Artforum, October, 2012.
Antognoli, Paolo Emilio. “Aldo Tambellini: Black Power.” Flash Art (Italian Edition), November 2012.
Cain, Nick. “Aldo Tambellini: Cathodic Works 1966-1976,” The Wire, 339 (May 2012).
Gratza, Agnieszka. “Paint it Black.” Sight & Sound, 22, issue 11 (November 2012).
Ishmael, Amelia, “Transmission | An Interview with Aldo Tambellini: Black Zero, Avant-Garde Jazz, and the Cosmic Void,” Art 21 Magazine, September 13, 2012
Reed, Ishmael. “Interviews Aldo Tambellini.” Konch Magazine, Fall 2010.
Mehring, Christine. “Television Art’s Abstract Starts: Europe Circa 1944-1969.” October 125 (Summer 2008): 29-64.
Tambellini, Aldo. "Ad Anna / To Anna." VIA: Voices in Italian Americana, 13, Number 1 (Spring 2002).
Dickinson, Sarah and Marilyn Schaffer. “Art, Images, Communications and Children.” Leonardo, 24, Number 2 (April 1991): 189-190.
London, Barbara. "Video: A Selected Chronology, 1963-1983." Art Journal: Video the Reflective Medium, (Fall 1985): 249-261.
Wooster, Ann-Sargent. "Why Don't They Tell Stories Like They Used To" Art Journal: Video the Reflective Medium, (Fall 1985): 204-212.
Grossman, Peter Z. “Getting into the Act: Video In Live Performance.” Videography, March 1978.
Shirey, David L. “Video Art Turns to Abstract Imagery.” New York Times, July 4, 1972.
Tambellini, Aldo. “Simultaneous Video Statements.” Radical Software: The Alternate Television Movement, I, Number 1, (Spring 1970): 17.
Baker, Kenneth. “Levine, Tambellini and TV: Tuning the Tube in an Art Museum.” Christian Science Monitor, January 31, 1970.
Yalkut, Jud. “TV as a creative medium at Howard Wise.” Arts Magazine (September-October 1969): 22.
Margolies, John S. “TV The Next Medium.” Art in America (September-October 1969): 54-55.
Glueck, Grace. “T-Visionaires.” New York Times. March 23, 1969,
Moore, Carmen. “Music: Spaces.” Village Voice, December, 5 1968.
“Impermanence.” artscanada, 116/117 (April 1968): 35-36.
Glueck, Grace. “Brooklyn is Host to ‘Intermedia ’68.” New York Times, March 9, 1968.
“Intermedia 68.” Village Voice, March 14, 1968 (photo).
Glueck, Grace. “The More the Media.” New York Times, February 4, 1968.
Picard, Lil. “Art: Child Is Black.” East Village Other, January 26 – February 1, 1968.
Glueck, Grace. “For the TV Generation, Multimedia Techniques Bombard and Overload the Senses – Multimedia: Messaging the Senses for the Message.” New York Times, September 16, 1967.
Dougherty, Philip H. "Advertising: Bar Hopping in Grand Style." New York Times, May 24, 1967.
Wakefield, Jerry. “The Black Gate.” Downtown Magazine, October 7, 1967.
Brodzky, Anne, ed. “Black Special Issue,” artscanada 24, number 113 (October 1967): cover, 2, 4, 5, 9, 14-16, 18.
Glueck, Grace. “Multimedia: Massaging Senses for the Message.” New York Times September 16, 1967.
McDonagh, Don. “Mixed Media Given at the Black Gate.” New York Times, June 2, 1967.
Piene, Nan R. “Light Art.” Art in America, 55, number 3 (May-June 1967): 43-44.
Yalkut, Jud. “Understanding Media: Passage Beyond Defixition.” Arts Magazine, May 1967: 18.
Fallica, Sal. “Intermedia at the Gate.” The Torch, May 1, 1967..
Brodzky, Anne and Greg Curnoe. “A Conversation About Mixed Media from New York.” 20 Cents Magazine, (November 1966).
Sullivan, Dan. “Gate Theater Screens a Psychedelicate Subject,” New York Times, October 29, 1966.
Johnson, Jill. “Quantum II.” Art News, February 1965.
Mekas, Jonas. “Movie Journal.” Village Voice, June 23, 1966.
Junker, Howard. “Films: The Underground Renaissance,” The Nation, December 27, 1965.
Gruen, John. “The Galleries - A Critical Guide.” New York Herald Tribune, January 6, 1965.
Ross, Don. “Rebellioin in Art Form: Tambellini’s ‘Black 2’.” New York Herald Tribune, June 13, 1965.
Bourdon, David. “Group Center.” Village Voice, January 14, 1965.
Heymsfeld, Jeremy. “Space World in ‘Black Zero’.” New York World-Telegram and Sun, December 16, 1965.
Carroll, Walter. “A Syracuse Rebel in New York.” The Syracuse Post-Standard Sunday Pictorial Magazine, January 27, 1963.
Nury Hernández. “La Cancion del Tornillo.” El Diario, XV, (July 18, 1962).
